God and Gob fight all the time. But not as often as God and Satan.
They all make up with each other all the time, especially God and Satan.
God may hate Satan; Satan may hate god; but they both like fucking with Gob and betting on what Gob will do in reaction to being fucked with.
Saturday, January 17, 2015
The Angel, the Seed, and the Rich Uncle
"Whatcha watchin, chief?
"It's like that show Shark Tank, but this one is The Angel, the Shylock, and the Rich Uncle."
"So, like a rich hot chick, a rich Jewish guy, and some other random rich guy?"
"Yup."
"And they rotate?"
"A bit."
"Yup."
***
"It's like that show Shark Tank, but this one is The Angel, the Shylock, and the Rich Uncle."
"So, like a rich hot chick, a rich Jewish guy, and some other random rich guy?"
"Yup."
"And they rotate?"
"A bit."
"Yup."
***
Friday, December 26, 2014
What Biologists Imagine Away
Dr. M was telling me
he and Dr. V were like
'the process of self-creation and
self-preservation of the organism'
blah-blah-blah
is 'autopoeisis' is that how you pronounce it?
they describe life as a process in which
living sysss-tems pro-DUCE themselves
can you believe it?
the dupes?!?
they give us all so much credit!!
We're just a bunch of overgrown apes,
maroons!!
***
Just as every word obtains its meaning from the sentence,
and the sentence obtains its meaning from the (con-)text
in which it is set,
behavior obtains its meaning as mad or normal only
in the interactional frame in which it is set.
If we want to explain and understand madnesses,
and not only that of alleged referees,
we have to ask ourselves in what context
we or others
can observe them
and provide them with a diagnostic label,
and which of these context variables we can
imagine away.
If we observe madness as something isolated,
we run the risk of dealing with it like
"Christian Morgenstern and his knee"
who said --
"a knee goes through the world all alone.
It is a knee, nothing else."
***
he and Dr. V were like
'the process of self-creation and
self-preservation of the organism'
blah-blah-blah
is 'autopoeisis' is that how you pronounce it?
they describe life as a process in which
living sysss-tems pro-DUCE themselves
can you believe it?
the dupes?!?
they give us all so much credit!!
We're just a bunch of overgrown apes,
maroons!!
***
Just as every word obtains its meaning from the sentence,
and the sentence obtains its meaning from the (con-)text
in which it is set,
behavior obtains its meaning as mad or normal only
in the interactional frame in which it is set.
If we want to explain and understand madnesses,
and not only that of alleged referees,
we have to ask ourselves in what context
we or others
can observe them
and provide them with a diagnostic label,
and which of these context variables we can
imagine away.
If we observe madness as something isolated,
we run the risk of dealing with it like
"Christian Morgenstern and his knee"
who said --
"a knee goes through the world all alone.
It is a knee, nothing else."
***
Thursday, December 25, 2014
My Psychosis, My Bicycle, and I
The following is a passage from:
My plan is to chew up this passage and have it spat out
by one of the characters in "Mad Schoolhouse,"
but I don't know which character should spout it, yet.
You see, I can't decide if this passage sounds too insane
to be spoken by the main character,
in which case it should be spoken by one of his
prisoners, i.e.-someone more insane than the main character.
"Should one wish to bring the Cartesian model of cognition and world view together, it must first be ascertained that Descartes starts from a world that is as it is. It has been created by God in the same way that a machine is constructed and assembled by an engineer. Its parts are separate things whose characteristics cannot be traced back to each other. This machine runs, but its mechanisms are static and unchangeable. The correlation of these objects, which by nature exist independent from each other, is determined by mechanical laws. Cause and effect are combined in such a way that the cause determines the effect. The mind striving for cognition stands opposite this machine. In principle its observations have no effect on the material processes being observed. The rules of mechanics in the outside world correspond to the rules of reason inside. The truth can only be found by following these rules. Cognition is, when successful, a reproduction of reality. The aim is to make this clockwork world calculable and predictable."
Fritz B. Simon.
What do you think?
Is it too insane for a main character to say? What about to think?
My plan is to chew up this passage and have it spat out
by one of the characters in "Mad Schoolhouse,"
but I don't know which character should spout it, yet.
You see, I can't decide if this passage sounds too insane
to be spoken by the main character,
in which case it should be spoken by one of his
prisoners, i.e.-someone more insane than the main character.
"Should one wish to bring the Cartesian model of cognition and world view together, it must first be ascertained that Descartes starts from a world that is as it is. It has been created by God in the same way that a machine is constructed and assembled by an engineer. Its parts are separate things whose characteristics cannot be traced back to each other. This machine runs, but its mechanisms are static and unchangeable. The correlation of these objects, which by nature exist independent from each other, is determined by mechanical laws. Cause and effect are combined in such a way that the cause determines the effect. The mind striving for cognition stands opposite this machine. In principle its observations have no effect on the material processes being observed. The rules of mechanics in the outside world correspond to the rules of reason inside. The truth can only be found by following these rules. Cognition is, when successful, a reproduction of reality. The aim is to make this clockwork world calculable and predictable."
Fritz B. Simon.
What do you think?
Is it too insane for a main character to say? What about to think?
Tuesday, December 9, 2014
Yes, You Have Permission
Down the hallways,
down the hallways,
the dinge-y hallways,
is this mold?
are we going to catch something?
a woman's voice-- "Yes, you have my permission, you dirty man, yes,"
she says --
most of the voices in here,
we only hear in fragments,
that's jus the way tis, in here, but this woman --
"You can have her, I give her to you, you can have her tight young snatch, you dirty, filthy man."
a man's voice, older--
a whisper from across the hall,
from behind bars,
"don't worry, you're only glimpsing the future, my dear,
hang on the this may be the future of sex, a kind of naked lunch my dear,
other things may be more important my dear,
and people may not often
concentrate
on sex, nor devote much time to it
exclusively
as in the past when it was always the be-all and whatshit
-- yet, it could remain a very pleasant byplay my dear,
oh yes yes indeed, a byplay, that's a great play there
this byplay, yes my dear, I assume you're following
it will develop undertones, overtones, sidetones, harmonics,
ramifications and extensions, intensifications and innovations
we could scarcely imagine
and in the far reaches of time and space well my dear
who's to say --
you keep walking down this hall
you'll find a man
believes dying is a lot like going to New York
says he was the first to realize that
but then that he saw Brendan Fraser
say it on an episode of Scrubs, but don't mention that show,
my dear my dear my dear
that son of bitch won't stop talking about kickstarter
and that big nose kid on scrubs with delusions of grandeur
my dear my dear -- oh and the kid himself
the one with the big nose from scrubs -- he's up on the fifth floor--
can you sing the hallway song again?"
Hallways, hallways. I guess I'm delivering mail
to these insane-os.
It feels like a dream though. I can barely see a thing.
down the hallways,
the dinge-y hallways,
is this mold?
are we going to catch something?
a woman's voice-- "Yes, you have my permission, you dirty man, yes,"
she says --
most of the voices in here,
we only hear in fragments,
that's jus the way tis, in here, but this woman --
"You can have her, I give her to you, you can have her tight young snatch, you dirty, filthy man."
a man's voice, older--
a whisper from across the hall,
from behind bars,
"don't worry, you're only glimpsing the future, my dear,
hang on the this may be the future of sex, a kind of naked lunch my dear,
other things may be more important my dear,
and people may not often
concentrate
on sex, nor devote much time to it
exclusively
as in the past when it was always the be-all and whatshit
-- yet, it could remain a very pleasant byplay my dear,
oh yes yes indeed, a byplay, that's a great play there
this byplay, yes my dear, I assume you're following
it will develop undertones, overtones, sidetones, harmonics,
ramifications and extensions, intensifications and innovations
we could scarcely imagine
and in the far reaches of time and space well my dear
who's to say --
you keep walking down this hall
you'll find a man
believes dying is a lot like going to New York
says he was the first to realize that
but then that he saw Brendan Fraser
say it on an episode of Scrubs, but don't mention that show,
my dear my dear my dear
that son of bitch won't stop talking about kickstarter
and that big nose kid on scrubs with delusions of grandeur
my dear my dear -- oh and the kid himself
the one with the big nose from scrubs -- he's up on the fifth floor--
can you sing the hallway song again?"
Hallways, hallways. I guess I'm delivering mail
to these insane-os.
It feels like a dream though. I can barely see a thing.
Monday, November 10, 2014
The Do-Nothing No-Place 1
Do-Nothing No-Place
(or, Untitled Craig Robinson Project)
ISLAND PRIEST BRAINWASHES blackjack.
We FOLLOW BLACKJACK OUT...its a morning scene. the dew from the foliage is soaking our arms & shirts as we wend our way thru the jungle...
Leaves of a coconut palm flutter in the wind, sun behind, piercing thru, almost blinding, not painful however.
Warm.
An unqualified sense of bliss for whomever is having this vision.
Deserted island in an unguessable ocean.
Smell of a fire burning somewhere near.
Thru the dense jungle-like fauna, a young girl scampers, chased by a young boy, each dressed as though they were natives to the island, untouched by--
A rich, deep, dark, subtly honeyed male voice, possibly a smoker, speaks over this idyllic scene. The voice is as ominous as it is authoritative (as it is creepy):
“You will bring me seven girls & six boys. The numbers are non-negotiable.”
& then there is a smack, as of a stone upon another stone.
We become absorbed in a shared vision. In the vision, there are seven girls & six boys running around in a circle around a bonfire on the beach.
The sun falls below a tree branch & we are bathed in orange.
There is thunder.
Another smack. A storm approaches.
“When you awake, you will think of nothing other than that with which you have been charged. Your mission will become indistinguishable from who you are. Once you have successfully completed your mission, you will be allowed to return to this beach, to live happily for the rest of your years.”
Another smack.
“Do you understand your charge? Your mission?”
“Seven girls. Yah. Six boys, yeah. This seems most feasible,” replies a voice with more than a hint of a Jamaican or East Indian accent, muffled by years, possibly decades in the West.
Another smack.
“Now...on the third mark, you shall awake. You will remember nothing of this until you are activated. Your activation will occur upon your foot touching down outside of the sacred ground of this church. Will you make this so?”
“Yes, father.”
Smack.
“You are letting go. You are appreciative. You are joyful. You are free.”
Smack.
“You are grateful. You are love. You are your mission. Seven girls. Six boys.”
Smack.
Cut TO SUBURGATORY.
Sunday, November 9, 2014
Keyshawna In Dumbdownland 1
A cute little black girl, I would guess somwhere between 9 & 11.
She’s got a super-adorable tiny little fro-thing going on.
A gossamer pink dress with white polka dots.
Let’s say her name is Keyshawna, but I know for a fact she dislikes being labeled.
Let’s say she dreams of butterfly wings & cotton candy clouds, but never together.
Keyshawna is escorted down the sidewalk with Ma on the end of one hand, Pa on the end of the other; she does a skip-jumping sorta thing where they lift her up & she flies for a little while.
The flying game always tricks Keyshawna into forgetting all the bad, mean stupid things in her life.
It forces her to smile.
Her teeth are crooked, but endearingly so.
Bullets fly this way & that over her head, whizzing past.
One bullet clips the edge of her ear.
One bullet strikes a neon sign, sending sparks everywhere.
One bullet centers itself above Pa’s nose, sending him limp & rumpled to the ground.
Another passes thru Ma’s torso, miraculously missing all of her major organs.
She’ll probably bleed out though, the way this story’s looking.
All of it taking place in slow-motion for Keyshawna; her mind laying down super-rich memories of all this.
She dodges bullets like Neo in The Matrix.
Something else happens.
Keyshawna’s whisked out of the ghetto into either a Wizard of Oz type place or else just to suburbia which would serve the same purpose.
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